Take Me Out to the Yakyu Mini-Unit

The Mini-Unit Designer

Elizabeth Arias and Vicky Mahoney

Mini-Unit created July 2017

This mini-unit was developed at the Doors to the World 2017 Summer Institute sponsored by the Five College Center for East Asian Studies and funded by the Freeman Foundation.

Introducing the Mini-Unit

As an ESL teacher in a high poverty area, I would introduce this book by first having students lead a discussion about their experiences with grandparents and with baseball. I anticipate that there will be students with no background in either of these two topics. Because of this, I will use a blank family tree diagram and have students fill in the people who live with and/or support them in various ways (i.e. preparing food, assisting with chores or homework, and providing shelter). Once this has been completed we will compare and contrast familial structures and discuss the protagonist’s family structure, in order to engage students with the foundational concepts of the story and the vocabulary of family embedded in it.

Contextualizing the Picture Book

Title: Take Me Out to the Yakyu

Author: Aaron Meshon

Illustrator: Aaron Meshon

Publisher: Atheneum Books for Young Readers, 2013

Genre(s): Realistic fiction

Summary:

Take Me Out to the Yakyu tells the story of a young boy who goes to baseball games in the United States with his American grandfather, and in Japan with his Japanese grandfather. From the very first page, the author shows the love that the bicultural protagonist has for baseball, whether it be in the United States or Japan. The boy describes the two distinct experiences of baseball in the two countries. Each page shows a part of the experience, first from the American perspective and vocabulary, and then contrasting that with the Japanese one. The boy shows the reader the social, cultural, linguistic, and technological differences in the two baseball outings. The illustrations depict the differences described, giving visual context to a young reader. At the end of the story, the author provides a bilingual glossary of baseball and other terms as well as a short history of the game itself.

About the author/illustrator:

Aaron Meshon graduated from the Rhode Island School of Design in 1995, and worked as an editorial illustrator for eighteen years. Take Me Out to the Yakyu is Meshon’s first children’s book. He received the 2014 Ezra Jack Keats New Illustrator Honor. He lives with his wife, son, and their French bulldog in Brooklyn, New York.

Sources of inspirations for the author and/or illustrator:

Meshon and his wife Ayako are passionate about baseball. They frequently travel back and forth between Brooklyn and Japan.

(Saxon, A. (2013, March). Flying Starts: Aaron Meshon. Retrieved from

https://www.publishersweekly.com/pw/by-topic/childrens/childrens-authors/article/58039-spring-2013-flying-starts-aaron-meshon.html)

Geographical region/time period: Present-day United States; present-day Japan

Cultural themes: sports, baseball, social interactions, individualistic and collective society, family traditions

Media of illustrations: Acrylic paint

Awards and other recognitions: Take Me Out to the Yakyu was on the New York Times Top 100 of 2013 and received 4 starred reviews from the NY Times and School Library Journal.

Analyzing the Picture Book

For this book, we suggest integrating several varied approaches, including Whole Book Approach, Visual Thinking Strategies, and critical multicultural practices. While the book seems simple and straightforward, students can be engaged on multiple levels and with multiple modalities. In order to awaken an interest in the story, students would use visual thinking strategies to analyze the cover, the end papers, and the front matter before diving into the story itself.

Looking at the cover, the typical visual thinking strategy questions (What do you see? What makes you say that? What else can you find?) can be augmented by asking students why they think the particular fonts were used for the text, if the colors have any significance for them, and what do they think yakyu means. In addition, the question of why the title was chosen could be a thread for discussion for students who might have limited background knowledge about baseball culture. Discussion could be started using the images on the front cover, building upon what the students noticed from the original questioning threads. Using the Whole Book Approach, students could be asked to make predictions on the tone the story will take from the images on the endpapers (i.e. happy, sad, nostalgic, etc.). Turning to the copyright page, an instructor could elicit observations before reading the short story summary which is embedded in the circular form on the page.

As we begin the story itself, the facilitator can confirm or add to students’ observations about the cover. If students had not known the nations the flags represented, the facilitator can draw attention to the flags on each baseball jersey; students can then make the connection between the images and the text which identifies both countries on the first page. If students had known the origins of the national flags, the teacher can confirm that they had been correct in their observations, affirming their prior knowledge as a basis for making connections with the text (“It is wonderful that you knew which countries the flags came from. It will help us all to understand the story more fully!” or something similar).

The following pages delineate similarities and differences between the experiences of baseball in America and Japan. The first full spread is a treasure trove of What differences can you see?, which could be extended to why students believe that these differences exist, depending on student age and facilitator preparation. Differences can be observed on the first set of pages in colors, clothing, jewelry and/or accessories. Similarities could range from facial expressions, time of day, and attendees of the game. Students may find these and more if we allow them the time and impetus. On this spread, the gutter serves the purpose of separation of place. Discussion can be extended on the comparisons at the discretion of the facilitator and the level of student engagement with the book.

On the following pages, the gutter is not used in the same way and the division runs horizontally rather than vertically. As a facilitator, one can ask students why they believe the gutter was used differently on these pages. What is going on? What sense does the reader get from seeing the gutter used this way? Similarities and differences can be pointed out by students using Visual Learning Strategy questions, augmented as desired. The next pair of pages have stark differences as well as some commonalities which students can identify. The reasons behind them could be explored through a preparatory lesson on the land mass and geography, if desired.

The next thirteen full spreads could be similarly undertaken using students as the real facilitators of the discussion around the story. When the story finishes, there is a glossary of baseball terms as well as a series of “other fun words,” followed by a short narrative on baseball itself, which may help students with limited background knowledge connect more deeply with the text. A facilitator could ask students why they think the author decided to place the drawing that he did on the final page after the baseball narrative. What does it represent?

It is important that students are prompted to see more than simply differences between the two cultures, but also commonalities. At the end of the text, a written poll could be taken on small slips of paper asking which baseball game a student would rather attend and why.

Learning Experience Design #1

Hook Learning Experience

Students will construct a baseball experience of his/her understanding of the book for those who cannot see. Students will listen to one of the following media resources:

Abbott and Costello “Who’s on First?”

Hank Aaron’s 715th home run audio clip

Take Me Out To The Ballgame

Japanese baseball home run call

Connecting Picture Book to Family, Community and Current Events/People:
Because this story is about a child and the relationships cultivated with his grandfathers through baseball, it would be interesting to see what (if any) steps students’ families take to foster relationships with other parts of the family who do not live close by. After reading the book critically, students could be prompted to answer whether enjoyment of the day would have been the same if souvenirs had not been purchased, calling attention to the source of enjoyment (consumerism vs relationships).

Connecting this story to the student’s own family:

Who is part of your family? What are relatives? What is an extended family?

The main character calls his American grandfather “Pop Pop” and his Japanese grandfather “Ji Ji.” Do you have grandparents? Do you see them often? What names do you call your grandparents?

What sports do your family members like and why?

In the book, the main character receives a jersey and towel of his favorite player. What sports memorabilia do you have at home? Why do you think that the memorabilia might be different?

The main character’s grandparents live in America and Japan. Where do your grandparents live?

At the end of the story the character said, “What a wonderful day!” Describe a time you had a wonderful day with your family.

  • What does this remind me of in my life?
  • What is this similar to in my life?
  • How is this different from my life?
  • Has something like this ever happened to me? How does this relate to my life?
  • What were my feelings when I read this?
  • Have I changed my thinking as a result of reading this?
  • What have I learned?

Connecting this story to the student’s own community:

In your community, what sports do people participate in?

The main character liked the Pigeons and Cicadas teams. What recreational, minor league, or professional teams are in your area? Do you follow them? Do you play on any teams?

People in the stadium encourage their teams by cheering. Describe a time at school or in your community when people cheered for others.

Connections to current and/or historical events and people:

The author does include notes at the end of the story about the history of baseball in Japan and America. He explains some of the similarities and differences between the games. He concludes the story on a positive note about his love of the game and his family. “No matter what side of the ocean I am on, I can’t wait for baseball season to start so I can watch my favorite teams and be with my family.”

Learning Experience Design #2

Reader’s Theater

Option 1: Imagine going to a Japanese baseball game. Choose two students to be a batter and a pitcher. The rest of the class will be the audience. Students will learn the following terms used at a Japanese game:

Ganbatte: Good luck!

Ganbare: Hang in there!

Kattobase (insert player’s name): Let it rip (insert player’s name)!

Ask the students the following questions:

  • What props do we need to act out a baseball game?
  • What roles will each person have?
  • What would you hear at a baseball game?

Students will act out the baseball game in the classroom.

Follow up Questions:

  • What went well?
  • What would you like to have done differently?

Option 2: Using the following script, have students perform Take Me Out to the Yakyu.

Reader’s Theater Script for Take Me out to the Yakyu

Narrator: A child is visiting his/her grandparents in Japan. The grandpa will take the child to a Japanese baseball game. They are taking a short red bus that turns into a train to the baseball stadium.

Child: Ji Ji! I can’t wait to see the Cicadas play tonight. I love baseball. I saw a baseball game in America.

Grandparent: I love baseball too. This will be your first Japanese baseball game. You might see a few differences in the games.

Narrator: They walk into the stadium and hear a big crowd cheering.

Child: (Pointing to the crowd) What’s that loud group over there?

Grandparent: They are the Oendan. They are the Cicadas cheering squad. We have to buy you a giant plastic horn and your favorite player’s towel so you can cheer too.

Child: Thank you Ji Ji! In America we cheer with a giant foam hand.

Grandparent: We should buy some food before the game.

Child: (Looking at the menu) I want to eat soba noodles and edamame! In America I usually eat a hot dog and peanuts at a game.

Grandparent: Let’s sit down! When a player from the Cicadas team is at bat we yell, “Ganbatte!” This means good luck!

Child: Ganbatte! Ganbatte!

Narrator: The game is over and they return home.

Child: Thank you for a wonderful day Ji JI! When you visit America I am going to take you out to the yakyu.

Grandparent: I look forward to it. Oyasumi (goodnight).

Learning Experience Design #3

Listening and Writing Activity

Interview members of the community: Students learn about their personal and community histories through interviews with their grandparents or other senior members of the community.

Summative Learning Experience

Have students use the story format to write their own story, comparing languages (ELLs).

For example:

Describe an activity in which you have participated using words from your home language and your school language to explain vocabulary to your teacher and friends. You may use the book Take Me Out to the Yakyu as a loose guide for your format. Please create a series of illustrations which support your story.

Creating Additional Multimodal and Interdisciplinary Opportunities:
Grandparents Day is celebrated the Sunday after Labor Day. This article will give teachers and librarians ideas on how to involve the community to celebrate Grandparents Day.

Bara, C. (2010). Grand Activities for Grandparents Day. Retrieved from http://www.educationworld.com/a_lesson/lesson/grandparents_day.shtml

Standards

CCSS.ELA-LITERACY.RL.2.1

Ask and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text.

CCSS.ELA-LITERACY.RL.2.7

Use information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot.

CCSS.ELA-LITERACY.SL.2.2

Recount or describe key ideas or details from a text read aloud or information presented orally or through other media.

CCSS.ELA-LITERACY.SL.2.4

Tell a story or recount an experience with appropriate facts and relevant, descriptive details, speaking audibly in coherent sentences.

Next Steps for Learning

There are myriad ways to extend the learning from this simple text. My next lesson would be a Whole Book Approach to Wakame Gatherers so that learners can critically compare and contrast the two texts for relationships, characterization, environment and setting, work habits, play habits, and family values. While the stories are not at all similar on the surface, it will be interesting for students to find ways in which the protagonists in each story are alike.

Juxtaposing Texts:

Mochizuki, Ken (1993). Baseball Saved Us. New York: Lee & Low Books.

A Japanese American boy learns how to play baseball when his family is sent to a Japanese internment camp during WWII.

Perl, Lila (2016). Barbed Wire Baseball: How One Man brought Hope to the Japanese Internment Camps of WWII. New York: Abrams Books for Young Readers.

Kenichi “Zeni” Zenimura’s dream of playing professional baseball is put on hold when he is sent to a Japanese internment camp in the Arizona desert in 1941. With the help of his sons and friends he creates a baseball field.

Kaur, M. (2015, April). Bento Boxes, Chanting, and Politeness Distinguish Japanese Ball. Retrieved from https://www.sikids.com/si-kids/2016/01/12/amazing-world-japanese-baseball.

A young girl takes a trip to Japan. She describes her experience of watching a game between the Tokyo Yakult Swallows and the Chunichi Dragons in Tokyo.

Thompson, Holly (2007). The Wakame Gatherers. Walnut Creek, CA: Shen’s Books.

This is a story of a bicultural girl living in Japan and her adventure collecting wakame (seaweed). Students could be prompted to notice similarities and differences between the two families. Where are the children’s homes? With whom are they working/playing? What environments are they in (rural/urban)? What are the differences in their environments?